Background
Gregory
Widen's 1995 film, THE PROPHECY, tells of a second Angelic war. The
Archangel Gabriel, like Lucifer in the first war, fights an insurgency in
Heaven designed to return the balance of creation to a time before man, when
Angels loved were loved by Him above all else. Defending the Word of God and
His WIll is the Archangel Michael, who fights to keep humanity's souls
intact. Lucifer, still seething and watching from below dreads the notion of
Gabriel's victory, as Lucifer cannot stand to see another Angel succeed
where he had failed, but more importantly, does not want the competition.
Clive
Barker's 1987 film, HELLRAISER, and its sequel, HELLBOUND: HELLRAISER II,
introduced a new vision of Hell, where Hell is a dark Labyrinth of stone and
order, presided over by a deity known as Leviathan. In service to Leviathan
are a cadre of entities, known as Cenobites, who are considered "angels to
some, demons to others. " Gateways to Hell can be opened by those obsessed,
determined and/or worthy enough to solve certain mythical puzzles, like the
infamous puzzle box, The Lament Configuration. Often, those before who have
succeeded have done so for the reputed promise of infinite pain and infinite
pleasure, indivisible, as promised by those who guard the puzzles.
However, those few who solve the puzzles
often find themselves unprepared for the intensity of sensation offered by
the Cenobites, and except in rare cases, are never seen again...
...at least not in their previous
incarnations.
Synopsis
The Second Angelic War has begun, and Lucifer
seeks to tip the scales of war in favor of Michael's forces, to maintain the
status quo. Lucifer seeks to recruit the help of Leviathan and the Cenobites
against Gabriel's forces. However, he cannot consult with them directly, as
the Labyrinth is its own domain of Hell, separate from his. Enter Natasha, a
theology student, who Lucifer extorts to solve the Lament Configuration for
him... Neither are prepared for what happens next.
Historian's note
The events of the film occur an indeterminant
amount of time after the "present day" segment of HELLRAISER: BLOODLINE, but
before the events of HELLRAISER: DEADER.
The events are also after the events of THE
PROPHECY, but before the events of THE PROPHECY 3: THE ASCENT.
Continuity Discussion
As a fellow diehard fan of the HELLRAISER
series, I've heard the screams of protest from many who have heard my ideas
for the film, so I wanted to address the issues of continuity here and
now...
1)
"Clive Barker's mythology of Hell has NOTHING to do with the Hell of
Judeo-Christian mythology."
I totally agree. That's why this is a fan-film, and not cannon, if you'll
excuse the pun. Also, this is why I made the Judeo-Christian Hell of
damnation distinct from the Labyrinth Hell which has nothing to do with
divine judgment of good and evil. This is my attempt to create a story
intersecting both mythologies while keeping each one distinct and sovereign
within its own material.
2) "But how can there
be two regions in Hell? There's only ONE Hell!"
Pinhead, from HR2: "But he is in his own Hell, child, and quite
unreachable.
Also, Trevor's Hell (HR6) and Detective Thorne's Hell (HR5) are not the same
as the naked Labyrinth. And then there's Dante...
3) "The Hellraiser
Mythology has no God concept..."
Pinhead, HR4: "Do I look like someone who cares what God thinks?"
So, certainly, there's an acknowledgement of the existence of a God concept
on the part of the Cenobites.
4) "...nor a concept of
heaven..."
Pinhead, HR3, "...and down the dark decades of your pain, this will
seem like a memory of heaven."
5) "...and therefore,
no concept of angels."
Pinhead, HR1: "Angels to some, demons to others..."
6) "Why doesn't Lucifer
just solve the box his damn self?"
He can't. While this topic could engender rich debate, for the
purposes of this story, solving the box doesn't JUST require desire
(Pinhead, HR2: "It is not hands that call us, it is desire.") it also
requires a soul... (Julia, HR2: "It wanted souls, so I brought you.") And
trust me, Natasha's character definitely will have the desire.
7) "Where's Pinhead in this
movie? Whoever heard of a Hellraiser film without Pinhead?"
This was an actual question asked on the IMDB message
board. It's a completely valid question. To answer: this film is intended
for die-hard fans of the Hellraiser series, including its films, literature
and especially the comics. The Hellraiser mythos goes much father than just
Pinhead, but rather extends out to encompass Leviathan and the entire army
of Cenobites. Pinhead is but one Cenobite. This film features four of the
others as previously seen in the films. From a practical standpoint, anybody
cast as Pinhead will have comparisons made to Doug Bradley. Doug Bradley
performs the archetypal Pinhead, and nobody that I would be able to find
could have come close to his performance...
In the end, it's all a question of
interpretation, and this film takes the interpretation that there is a
heaven, with angels, and possibly a God. Judeo-Christian Hell also co-exists
but a separate domain from the Labyrinth.
Ironically, this film is written and directed
by a hardcore atheist.
IMAGE CREDITS FOR THIS PAGE
From the top:
-
Viggo Mortensen as Lucifer in THE PROPHECY
(1995)
-
Leviathan and the Labyrinth, HELLBOUND:
HELLRAISER II (1988)
-
Ashley Laurence as Kirsty Cotton and Nicholas
Vince as Chatterer in HELLRAISER (1987)
-
Doug Bradley as Pinhead, HELLRAISER III: HELL
ON EARTH (1992)
-
Doug Bradley as Pinhead, HELLRAISER III: HELL
ON EARTH (1992)
THE PROPHECY is available on DVD from
Dimension Films. HELLRAISER and HELLBOUND: HELLRAISER II are available on
DVD from Anchor Bay Entertainment. HELLRAISER III: HELL ON EARTH is
available for DVD outside of the United States, but is available on VHS (out
of print?) from Paramount Pictures.
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